Tag
August 10, 1821 AD
Gardens are meant to conceal ugliness beneath beauty—weeds buried, dead branches pruned away, secrets pressed into rich soil. Broadmoor watches Mrs Harrington's fingers work nervously at her keys, watches Victoria position herself like a chess piece, watches a robin tilt its head as though it knows something men don't. Some places hold violence in their bones. Some earth remembers what was planted there. And sometimes, what you dig up refuses to stay buried.
August 10, 1821 AD
A scream shatters the dawn at Jeffries Manor, sending shockwaves through the elegant estate. As servants freeze mid-task and birds scatter from the roof, something has gone terribly wrong. Within these walls, secrets lurk in every shadow, and everyone has something to hide. When the foundations of order crack, who can you trust? And what happens when the person who vanished knew too much?
August 10, 1821 AD
Sometimes the most dangerous moments aren't the catastrophes themselves—they're the performances we're forced to give in their aftermath. When friendship becomes interrogation and every word carries consequences, how long can you maintain the mask? At Jeffries Manor, secrets emerge from unexpected quarters, pressure mounts from all sides, and one devastating decision changes everything. Some choices, once made, cannot be undone.
September 23, 1821 AD
If you wish to silence someone who saw something real, you don't threaten them. You befriend them. You validate their wildest theories. You provide fine furniture and quality paper. You encourage every fantastical interpretation until nobody believes anything they say. Rita Larkin witnessed genuine phenomena the night William vanished—her documentation predates his disappearance. But by the time Madelyn finished cultivating her testimony, the colony knows her only as Granton's most notorious lunatic.
August 12, 1821 AD
Some things can't be drawn from memory. Not because you've forgotten—because the lines refuse to hold still on paper. Nathaniel Blackburn knows this. He forged them for weeks, symbols that hurt to look at, patterns his hands shaped but his mind can't grasp. Now he sits shackled in the stables, scarred hands trembling, carrying testimony that will sound like madness. A convict's word against a respectable citizen. Tales of voices that shouldn't exist. And truth no one wants to hear.
August 9, 1821 AD
Some sounds don't belong. Jonathan Bates wakes in the stable loft to leather straps clinking, Midnight's muted snort, a voice pitched low with authority. Below, a cloaked figure emerges—wide-brimmed hat pulled low, features obscured, moving with intimate familiarity. Saddlebags bulge with carefully packed contents. This isn't theft. This is planned departure. In the shadows, Mabel Hawthorne watches too, returning from stolen kisses. Two witnesses. One midnight rider. And hoofbeats fading into darkness.
August 7, 1821 AD
Some transactions announce intentions more loudly than words ever could. When William Jeffries walks into the Colonial Bank requesting a withdrawal so massive it opens the vault and terrifies the clerks, everyone watching knows: this is a man preparing for something. Flight, perhaps. Or payment for sins that compound with interest. Then, on the cobblestones outside, he spots the watcher in the alley. Dark eyes beneath a wide-brimmed hat. Someone marking his movements. Recording his desperation.
August 2, 1821 AD
William Jeffries has spent years constructing a gentleman from the raw materials of ambition and will. The manor, the books, the cultivated accent, the signet ring with its invented heraldry—all proof that the transported convict has transcended his chains. But the letter with the blood-red seal remembers who he was. Some masks can be torn away. Some bargains demand payment that compounds with time. And some foundations rot from within.
August 10, 1821 AD
When authority arrives, secrets multiply. Constable John Broadmoor has seen enough of colonial society to know that wealth conceals as much as it reveals. Now he stands at the threshold of Jeffries Manor, where every statement feels rehearsed, every gesture calculated, and even grief seems to carry an undercurrent of performance. In seven years of service, he's learned one truth: the more respectable the house, the darker its secrets.
August 2, 1821 AD
Thomas Whitfield has spent a decade perfecting his mask—the composed face, the measured steps, the ability to see everything whilst appearing to notice nothing. But today, carrying a crimson-sealed letter through corridors that seem to lengthen with each step, his composure falters. The manor itself feels different. Shadows pool like conspirators. Tapestries writhe. And three measured knocks on William's study door may unlock more than just an entrance.
August 12, 1821 AD
In the grey dawn of colonial Van Diemen's Land, Constable Broadmoor faces a mystery that stretches beyond earthly bounds. His interrogation of convict blacksmith Nathaniel Blackburn reveals more than missing persons protocol could prepare him for—arcane symbols forged in iron, hooded figures speaking of ancient sacrifices, and William Jeffries' eager participation in something that defies rational explanation. As the stable walls echo with impossible testimony, the rigid social hierarchy of the penal colony crumbles before forces that predate civilisation itself, leaving Broadmoor questioning not just what happened, but what reality truly allows.
August 10, 1821 AD
When friendship collides with suspicion, which prevails? Victoria Ashford has known Madelyn since childhood—knows every gesture, every tell, every unspoken truth. And right now, her oldest friend is lying. Whilst the household awaits the constable, Victoria takes matters into her own hands. Some friendships are built on trust. Others crumble under investigation.
August 10, 1821 AD
Grief is simple when love is uncomplicated. But Madelyn's tears carry currents she can barely name—love tangled with horror, devotion knotted with betrayal. Five days ago, William told her the truth. Not all of it, perhaps, but enough. Enough to shatter every illusion about the man she married. And yet, even knowing what she knows, she finds she still loves him. That is perhaps the cruelest truth of all.
November 3, 1821 AD
Three months. Eighty-six days since William vanished. Every promising lead has evaporated into mundane explanation or dissolved into supernatural speculation. No middle ground between perfectly innocent and patently impossible. The blood in the garden—labourer's cut hand. The glove—groundskeeper's carelessness. Boot prints to water—disturbed dreamtime paths. Too perfect, Broadmoor thinks again. Everything about this case is too perfect. Like watching an elaborate performance whilst something else occurs offstage.
August 2, 1821 AD
Some deliveries change everything. Sixteen-year-old Frederick Woolley has ridden to Jeffries Manor dozens of times, but today feels different. The letter in his satchel carries a blood-red seal that shifts and changes each time he looks at it. The eucalyptus trees lean inward. His mare trembles. Even the manor's windows seem to watch with malevolent intent. Eight days from now, William Jeffries will vanish. Today, the first thread unravels.
August 11, 1821 AD
Madelyn sits composed on a pale blue damask, shadows beneath her eyes, holding something within herself that requires constant vigilance to restrain. She speaks of William's fear and guilt, of strange books with symbols that made her head ache, of messengers arriving after dark. But beneath the careful grief, Broadmoor senses something else. She tells him truth—but not all of it. She guides him toward conclusions whilst steering him away from others.
August 10, 1821 AD
There's a particular weight to returning from a search without what you sought. Stars overhead, lanterns casting shadows, boots heavy with accumulated mud and failure. The manor blazes with desperate light—every window a small act of defiance against the darkness pressing close. On the steps, they wait: the pale wife, the calculating friend, the anxious household. All watching for something the constable cannot provide. Sometimes the absence of answers weighs more than their presence.
November 5, 1821 AD
The study feels different now—smaller, yet connected to vastnesses she can barely imagine. She's stepped through a threshold of her own making. No returning to the woman she was before. Below in the garden, her son bends over lessons, so small, so innocent, so utterly dependent upon choices he'll never understand. That woman who threatened to flee rather than accept the unacceptable? Gone now. Destroyed as surely as if she'd stepped through the portal herself.
August 11, 1821 AD
Some stains won't lift. Thomas tried for minutes—cloth sliding across the substance as though it refused to be disturbed, as though it had bonded with the rug's very fibres. Black with metallic sheen. Smooth as polished glass. And the smell that lingers: hot metal, something chemical, sharp enough to catch at the throat. In William's study, evidence remains of a visitor whose voice was deeper than any natural voice should be. Traces of something that shouldn't exist.
August 2, 1821 AD
William Jeffries built his empire on knowing whom to trust and when to doubt. For four years, Jeremiah Blaylock has been the reliable foreman—competent, discreet, loyal. But today, with Blackwood's letter fresh in memory and a shipment mysteriously vanished, every relationship becomes suspect. The man who helped build Jeffries Manor now sits before William like a stranger. Is Jeremiah's nervousness guilt or merely fear? Some questions have no safe answers.
August 12, 1821 AD
Three convicts sit at a rough table in the wine cellar, surrounded by wealth they'll never possess. Broadmoor chose this location deliberately—dank air, thick stone walls, oppressive atmosphere to unsettle men already anxious. They came presenting unity. But lies have a way of unravelling under pressure. And when men who've agreed on their story start contradicting each other, accusing each other, protecting themselves at the expense of their fellows—truth emerges in fragments they never meant to reveal.
August 9, 1821 AD
The dining room glitters with perfection—tapestries, gilt frames, polished blackwood, roasted goose barely touched. But no amount of candlelight can illuminate what's been shattered. William looks at his son as though memorising his face. Madelyn's composure cracks. Between them, the chasm. She knows something. He told her something. And nothing will ever be the same. This is the last dinner the Jeffries family will share.
August 10, 1821 AD
Below stairs, hierarchy softens in the warmth of cooking fires and shared labour. But tonight, fear binds them tighter than duty ever could. They huddle like conspirators, trading fragments of impossible things—midnight visitors with shifting faces, thuds in the east wing, letters sealed in crimson wax. Each knows a piece. None knows the whole. And when Broadmoor appears in the doorway with Victoria at his shoulder, secrets scatter like mice before light.
August 11, 1821 AD
Mrs Harrington sits in her modest sitting room, hands folded on scarred oak, carrying a secret she fears will sound like madness. She speaks of shared nightmares plaguing the staff—William at the edge of vast darkness, shadow growing behind him. Then she confesses what she heard the night he vanished: a sound like the fabric of the world being torn asunder. A scream that wasn't human. Wasn't animal. Made her very bones ache to hear it.
August 10, 1821 AD
Civilisation ends where the tree line begins. One step forward and everything changes—the air, the sounds, the very quality of light through ancient canopy. Gilchrist has walked these woods for four years but today he moves like a man entering enemy territory. Animals know when land has been violated. They sense when boundaries have been crossed. And sometimes, when something sacred is disturbed, the wilderness itself remembers. Remembers, and demands payment.
End of list

Thrown into an unfamiliar world with nothing but her medical kit and a backlog of questions, Dr. Glenda De Bruyn never asked to lead. But when strangers start arriving—wounded, lost, and dangerous—triage becomes survival. Each decision risks more than a life; it tests what remains of her logic, loyalty, and control. As the lines blur between science and myth, Glenda must confront not only the fractures in her patients—but the ones inside herself. In Clivilius, everyone bleeds. Not everyone gets patched up.

When a series of disappearances grips Tasmania’s remote edges, Detective Sarah Lahey is drawn into a case that threatens to unravel her—professionally and personally. As tensions flare with fellow detective Karl Jenkins, trust becomes a gamble neither can afford. In the search for truth, they’ll find the shadows run deeper than they imagined. Into the Dark is a haunting thriller about loyalty, obsession, and the cost of stepping beyond the light.

Joel Gibbons had never been anywhere. Hadn't finished school. Hadn't met his father. Hadn't done much except show up for his mum and hope that counted for something. A passport application changed everything—a name on a birth certificate, a coincidence that put him in the wrong place, and a death he didn't see coming. Joel should have stayed dead. Instead, he woke in glowing water—claimed before he even drew breath—gasping back to life with three words branded somewhere deeper than skin. You are mine.

Men are vanishing across Tasmania, and Detective Senior Constable Karl Jenkins is running out of time, patience, and sanity. Every lead points to Luke Smith—but proving it means crossing lines Karl can't uncross. He breaks into houses without warrants. He sees faces in windows that shouldn't be there. He chases the wine-soaked Gladys Cramer through high-speed pursuits only for her to slip away. His partner becomes collateral damage. His sergeant's warnings go ignored. Karl knows something monstrous is happening on this island, and he'll tear through every boundary to expose it. Even if it destroys him.

Luke Smith's world transforms with the discovery of a cryptic device, thrusting him into the guardianship of destiny itself. His charismatic charm and unpredictable decisions now carry weight beyond imagination, balancing on the razor's edge between salvation and destruction. Embracing his role as a Guardian, Luke faces the paradox of power: the very force that defends also threatens to annihilate. As shadows gather and the fabric of reality strains, Luke must navigate the consequences of his actions, unaware that a looming challenge will test the very core of his resolve.

Gladys Cramer wasn’t looking for trouble—just a quiet glass of red and maybe a cat that actually came when called. But when a Portal opens, a body turns up, and a man with too many secrets begs her trust, Gladys is pulled into something vast, strange, and far too dangerous. She doesn’t know the rules. She doesn’t want the job. Dryly funny, quietly furious, and not at all qualified—Gladys is about to learn that staying out of it doesn’t mean staying safe.

Jamie Greyson was shoved through a Portal into a dimension that shouldn't exist, by a partner he no longer trusts. In the dust and desperation of Clivilius, the son he'd only just begun to know arrives with a slit throat and no heartbeat. The lagoon brings Joel back. But when Jamie begs for a second miracle, Clivilius answers with silence. Some debts, it seems, are only paid once.